Arts for the 21st Century

A Father’s Kiss

From a Family Album—In Memory

My old finger tips scoop out nothing now.

The ivory soap once stirred to a lather

in this wooden bowl melted away long

ago. Smooth, I stroke it with my finger,

the natural grain in my dead father’s

old shaving bowl. Yardley’s, his one perfume,

rubbed hard into his stubble, softer,

with the bristles of his brush stirred to foam;

Father Christmas’ beard! His Gillette razor

pulled through the lather, mowed the stubble,

whisked it to a soup of hair shavings’ suds.

I read Armitage on the white basin.

It then became a bowl for odds and ends,

once the creamy, waxy soap had vanished.

He had scraped away the ivory remnants

with his sharp penknife. It was ready now

to stand on the wooden-slatted shelves

of his cedar press, with a tie pin, cuff-

links, rowing medals, where stacked Aertex shirts,

khaki pants, hankies lay in khus-khus grass.

It’s an empty urn now, this clean soft wood,

its roundness worked by a lathe on this plinth,

circled with this groove, covered with this lid.

It clicks and echoes as I let it drop.

I let it drop again. I pick it up.

I play with it on my desk, filling it

with stubs of pencils, erasers, paperclips

my gold ring. I shake and throw my odds

    

and ends as dice. What chance have I left

to resurrect him? The bowl to my face,

I inhale the fragrance of his good night

kiss, and my fear of bristles in stubble.

Just here, a murmur. What does it now say?

Listen: his rough cheek rubbed on my boy’s

soft cheek. “Good night, son.” I tried to avoid

him, running off to bed, with, “Good night, dad.”