Arts for the 21st Century

Giants

Dedicated to the service men, foundry men, labourers, farm hands, nurses: those Windrush generation giants.

1948 (i)

them big small-island people

congregating like hope

on a Sunday morning

them same one

bigger than any one story

is who I am:

a child born of them who

keep their mouth in quiet protest

their riot to one side,

their commitment to dignity, lifelong.—

even when hate stands up in an

english man like possession, 

they walk in strides two generations wide

bigger than the Orishas when I see them.

a tribe. not quite Arawak or Ashanti

but far too mulatoed

to be a native of any one place.

now each uprooted colossus

in khaki, calico soft, gabardine—

puts roots down here

and walks like trees.

1958 (ii)

ten years since Windrush

and even Pakistanis turn Black, their

neighbours under the Raj turn Black,

they can see the Colour Bar exists:

a line cut across the nation, a thing

of white imagination 

that black Britishers have been

limbo dancing ever since

John Blanke*, since Seacole.

We settlers never did settle good in

some people’s stomach.

is why a people’s ambition can turn

a teddy boy on a church sister, a black

family bedsit to kindle

for petrol bomb fire?

so them pulpit calypsonians,

swaying like Lord Kitchener

with a douse of Holy Spirit

preach hot coals of love

on the heads of idle white boys

singing about nigger hunting, with

sticks, knives, iron bars in accompaniment.

or second generation activists

who looked into the mirror of the Atlantic

seeing Montgomery, Alabama reflected 

on British shores. The lilt of Malcolm

and Martin was heard in the call for the local

boycott of Bristol Omnibus Company,

in the fight against slum landlords who reduced

our existence to slumdogs. 

1963 (iii)

72’ and a flash of dreadlocks

a weeping prophet is cut from the hilly part

of Jamaica, like a flame

fireman goes out in the eighties

and the riffs of his scriptures still play

on the conscience of the radio.

Jimmy Cliff hymns the harder they come,

in a shifting, changing backdrop,

a Windrush, a Pentecost in the Motherland,

a rushing wind blowing over Eldorado,

an unfurling clove of hope

that sits atop the heads

of those who held close the hymn book,

the leather bound KJV.

I look at you as a child—

the roll of your walk, the broad of your shoulders

the sweet brawl of your talk.

If you can bless me with anything

give me the power to name,

to call out things that are not,

as though they were—

if that which sustained you

sustains me, I will be as you are,

not as giants, but as men

walking as men.